G.G. Allin
Phone Mess
GG's words are in regular text. Those of Shireen "The Razor" Kadivar, a background vocalist on several tracks of the Carnival of Excess album who briefly appears at the end of the telephone conversation, are in boldface.

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This is GG Allin, and when I'm stinkin', drinkin' and bleedin' in Tampa, Florida, it makes me want to puke.

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[GG improvises a short song on the acoustic guitar]

I've been bleedin', I've been stinkin', I've been drinkin'

'Cause I'm loaded

I've been bleedin', I've been stinkin', I've been drinkin'

'Cause I'm loaded

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[BEEP]

Yeah, Mark, this is GG. It's 4:10 or 4:15, I don't fuckin' know. Uh... the package didn't come. No Federal Express mail. What the fuck's going on? I mеan, uh... did they say this thing was gonna get herе by 3, or did you just assume it was gonna get here? I gotta get this fuckin' package out. If these pictures aren't here tomorrow by noon, fuck the pictures, the package is goin'.

Uh... I don't know if it's incompetence on the part of the fuckin' people delivering it, or what, but obviously you ought to get in touch with them, 'cause if you paid money to have this fucker sent out, you should get your money back. Because this really pisses me off. Uh... find out. Call 'em, find out what's going on. I've gotta get those pictures tomorrow. If they're not here tomorrow, fuck it, they ain't goin'.
[BEEP]

Yeah, Mark, this is GG again. Uh... it's pretty fuckin' obvious to me that those pictures aren't coming, and I want a fuckin' explanation what the fuck is going on. I got up at 7 o'clock to go see my parole agent with the intent to get back by 12, because that's when you said they would be here. Sat in a 200-fuckin'-degree room all day, because you said they would be here. And, uh, they're not fuckin' here. Now where the fuck are these pictures that I've got to fuckin' have?

And I'm sure you must have fucked up somewhere, because those would've been here if you would've sent them out on time. And it's not even so much the fact that you fuckin' lied to me, because you should have told me. I wouldn't have sat, and I wouldn't have got up so fuckin' early and sat around all motherfuckin' day waiting for these fuckheads to deliver this shit. I've fired fuckin' musicians for less than this shit. You got one fuckin' foot out the door, bud.

[BEEP]

Yeah, Mark, this is GG. I got the, uh... pictures this morning. I went to the post office. They're gonna give you a complete refund, but I gotta send you the envelope back. Uh... the pictures are cool; there's a couple there I can use. Particularly like the solo shots, the one with the axe over my head. I think we should do some more 8x10s up. But there's definitely... it was definitely worth it. I'm gonna get that package out today. As a matter of fact, I'm on my way to the post office now. So I've got to send you that envelope back.

I'm mailing you out all those envelopes that I need you to mail for me. I believe there's about 24. In the bottom left-hand corner of seven or eight envelopes, there is a P. Those are priority to send out first. Everything I... I've got every envelope the way I want it to go out. I wrote letters; in certain ones I wanted letters. Don't change anything. The only thing you need to do is add whatever you want to add. And definitely add that computerized type-out of the court date, because obviously I didn't have that yet, and that is important that that goes in each and every envelope. I put a lot of time and work into each one of these envelopes, so try to make sure they all get out within a week or two.

And, um, what you should do... here's the number where I'm gonna be at over the weekend. If you get that package on Saturday or before Saturday, give me a call there. If not, just wait till next week and give me a call on Wednesday, or late Tuesday night. I don't know when the fuck I'll be back.

But... okay, I got the pictures. But the real important thing now is this package that I'm sending you. Um... you can't take anything out of it. I've got everything the way... I went through every envelope, and just leave them the way they are. Like I said, add what you want to add, and put in that court thing that you just typed out. And, uh... everything's off, everything's on the way. So get in touch with me, and get these things mailed out when you can. See you around.

[BEEP]

Yeah, Mark, this is GG. You don't have to call me back, but look: I got a letter today from that girl in Daytona Beach. She said she was gonna call you; she got your number out of that fuckin' jam or something. Don't tell her when I'm coming to town, and don't tell her where you live. I just don't want her fuckin' hanging around for seven days. Um... you can tell her about the in-store, but don't tell her when I'm getting into town. Just tell her I'll be there Saturday and that I'm leaving Sunday. Tell her that I'm not staying a whole week. Make up some shit, tell her anything, I don't give a fuck. But, uh.... if she wants to suck my dick that's fine, but I don't want her hanging around all week. So if she calls you, don't tell her anything.

[BEEP]

That [?] was "Snake Man".

And if you can [?] [trailing off]
Oh, man. "Snake Man" is great, GG. You don't like that song?

I told Mark that possibly... I don't like the background, because I was very... so out of tune with myself for some reason. I'm thinking maybe if you guys can go in, and either you or somebody in the band do the background vocals. Leave my main vocal on. I'd rather have you do it, because I think having you on two songs... I really like that effect of the background vocal that you did. Get Paul to, like, you know, coach you like he did before. Go in and see what you can do with it. And that way, at least, you know... 'cause if you're on two songs, I think it's better anyway. We'll get that in there.

Well, I'm gonna let you go. I'll try to give you guys a quick buzz next weekend if I hear anything, and, uh, let you know what's happening.