Pan is so elated with the praises of some Nymphs who hear the music of his pipe, that he presumes to challenge Apollo to play with him. The mountain God, Tmolus, who is chosen umpire of the contest, decides in favour of Apollo, and the whole company approve of his judgment except Midas, who, for his stupidity in preferring Pan, receives a pair of asses’ ears. He carefully conceals them till they are discovered by his barber, who publishes his deformity in a very singular manner.
He, abhorring riches, inhabited the woods and the fields, and followed Pan, who always dwells in caves of the mountains; but his obtuse understanding11 still remained, and the impulse of his foolish mind was fated again, as before, to be an injury to its owner. For the lofty Tmolus, looking far and wide over the sea, stands erect, steep with its lofty ascent; and extending in its descent on either side, is bounded on the one side by Sardis, on the other by the little Hypæpæ.
While Pan is there boasting of his strains to the charming Nymphs, and is warbling a little tune upon the reeds joined with wax, daring to despise the playing of Apollo in comparison with his own, he comes to the unequal contest under the arbitration of Tmolus.12 The aged umpire seats himself upon his own mountain, and frees his ears of the incumbering trees. His azure-coloured hair is only covered with oak, and acorns hang around his hollow temples. And looking at the God of the flocks, he says, “there is no delay in me, your umpire.” He sounds his rustic reeds, and delights Midas with his uncouth music; for he, by chance, is present as he plays. After this the sacred Tmolus turns his face towards the countenance of Apollo; his words follow the direction of his face. He, having his yellow head wreathed with Parnassian laurel, sweeps the ground with his robe, soaked in Tyrian purple,13 and supports with his left hand his lyre, adorned with gems and Indian ivory; the other hand holds the plectrum. The very posture is that of an artist. He then touches the strings with a skilful thumb; charmed by the sweetness of which, Tmolus bids Pan to hold his reeds in submission to the lyre; and the judgment and decision of the sacred mountain pleases them all. Yet it is blamed, and is called unjust by the voice of Midas alone. But the Delian God does not allow his stupid ears to retain their human shape: but draws them out to a great length, and he fills them with grey hairs, and makes them unsteady at the lower part, and gives them the power of moving. The rest of his body is that of a man; in one part alone is he condemned to punishment; and he assumes the ears of the slowly moving ass.
He, indeed, concealed them, and endeavoured to veil his temples, laden with this foul disgrace, with a purple turban. But a servant, who was won't to cut his hair, when long, with the steel scissars, saw it; who, when he did not dare disclose the disgraceful thing he had seen, though desirous to publish it, and yet could not keep it secret, retired, and dug up the ground, and disclosed, in a low voice, what kind of ears he had beheld on his master, and whispered it to the earth cast up. And then he buried this discovery of his voice with the earth thrown in again, and, having covered up the ditch, departed in silence.
There, a grove, thick set with quivering reeds, began to rise; and as soon as it came to maturity, after a complete year, it betrayed its planter. For, moved by the gentle South wind, it repeated the words there buried, and disclosed the ears of his master.
Footnotes:
11. Obtuse understanding.]—Ver. 148. ‘Pingue sed ingenium mansit,’ is rendered by Clarke, ‘but he continued a blockhead still.’
12. Tmolus.]—Ver. 156. This was the tutelary divinity of the mountain of Tmolus, or Tymolus.
13. Soaked in Tyrian purple.]—Ver. 166. Being saturated with Tyrian purple, the garment would be ‘dibaphus,’ or ‘twice dipt;’ being first dyed in the grain, and again when woven. Of course, these were the most valuable kind of cloths.
