53
We see Django and Dr.Schultz enter the town, and slosh their horses in
the mud,, down the main street of Greenville Mississippi. The buying and
selling of slaves is what the whole town is built around.
BLACK MEN, WOMEN, and CHILDREN in BONDAGE are everywhere you look.
LINES OF CHAINED SLAVES being marched one way or the other, move
through the muddy streets of Greenville. WHITE MEN on horses move them
along.
BUCKBOARDS filled with DOMESTIC SLAVES (HOUSE NIGGERS), and pretty
PONYS, driven by WHITE MEN roll through the street.
A YOUNG WHITE BOY (14 years old), a shepherd, leads a bunch of
SLAVE CHILDREN through town. A SHEPHERD'S DOG, HELPS HIM OUT BY MOVING

THE KIDS ALONG.
Impromptu slave auctions take place on almost every block.
A SUBTITLE APPEARS on the bottom of the screen:

GREENVILLE

CHICKASAW COUNTY, MISSISSIPPI
Dr.Schultz takes in this African flesh market, where human beings sell
other human beings, with disgust and a little bit of shock.
Django is neither disgusted or. shocked, he knows first hand how
Greenville operates.
As he rides Tony through town in his snappy duds, he looks'at the BLACK
MEN half dressed: in chains. He REMEMBERS HIMSELF with his six Other
Companions from earlier, being walked through the mud of Main Street by
The Speck Brothers. On that day he might as well of been a steer.
Today, with a gun on his hip, money in his pocket, in his snappy
outfit, astride his steed Tony, he feels so different from these
wretched half naked bastards it gives him a bit of a chill.
Django sees the towns railroad depot, and across from it a huge SLAVE
PEN, like a STEER CORRAL. At the moment there's no train in the depot.
WE FLASH ON
The TRAIN, at a earlier time, pulling into the depot.

INSIDE ONE OF THE BOXCARS
amidst a boxcar full of shirtless BLACK MALES, Django watches the train
pull into the station, from inside the wooden slates of the boxcar.:
A hatch in the roof of the boxcar is NOISILY YANKED OPEN, and TWO WHITE
SLAVE TRADERS (RUSS AND JUDD), peer down at their human cargo.

JUDD
Good god almighty these niggers stink!









I F

RUSS
Niggers stink, where's the shock?
(to the Slaves
BELOW)
Okay you bucks, listen up, and listen
well, I'm only gonna say this once.
There's a slave corral right across from
this boxcar. We gittin ready to open these
doors. When we do, y'all run as fast as you
can, right into that pen. 'Anyone gittin off
trail, gonna get hurt and hurt bad. Now you
niggers better comprehend. And that goes for
any African garboons amongst y'all can't
understand english ... . your American buddies
better shove your ass in the right direction,
or your trip to this country is going to be
short, and pointless. Train to pen as fast as
you can!
The boxcar door is slid open, and a HUNDRED AND FIFTY BLACK MALES
run full out from the train to the steer corral.
We spot Django during the running.
Once inside the corral, the gate is closed.
COWBOYS with rifles act as prison guards.

INSIDE THE CORRAL
through the wooden posts, in the distance, Django watches them open up
the boxcar holding the females. They do their run to their pen out of
view.
Django catches a quick glimpse of Broomhild.a running with the other
LADIES, then she's gone from view.
BACK TO DJANGO (PRESENT)
Django and Dr.Schultz on top of their horses, taking in the sight of
Greenville.
Dr.SCHULTZ
It's a spectacle out of Dante.

DJANGO
You should see it from the other side.
Dr.SCHULTZ
Frankly, I don't know if I could endure this.

DJANGO
You'd be surprised what you can endure.

(BEAT)
Where to?









675
Dr.SCHULTZ
Records office.

CUT TO

INT - RECORDS OFFICE - DAY
Dr.Schultz and Django walk into a records office, lined with books.
We watch through the store front window, the black man and white man
enter, and Dr.Schultz present his business card to a Dickensian looking
RECORDS OFFICE WORKER. As Schultz starts his spellbinding with words
routine... . The CAMERA FADES TO BLACK.

BLACK TITLE CARD:

BROOMHILDA

INT - SLAVE PEN - DAY
The same shot we saw before of Django fighting his way to the bars of
the slave pen, to get a better last look of Broomhilda.
Broomhilda, as before is walked by in the distance.
Then, as before Django loses sight of her.

EXT - MAIN STREET - GREENVILLE - DAY
We follow in front of Broomhilda being lead out of the slave pen by TWO
WHITE MALE SLAVERS. Her bare feet slosh in the Main Street mud, and
the leg irons scrap her ankles.
Up until now everything you've ever seen of Broomhilda, has only been
in Django's Spaghetti Western Flashbacks. In other words, from his
perspective, and memory. This is the,only time the story will shift to
Broomhilda's perspective. The strong but frightened girl is led out on
to the hustle and bustle, and wagon wheels and horse hoofs of Main
Street.
Broomhilda is not taken into that three story auction arena that Django
was sold in at the beginning. Instead She's just lifted up on a parked
buckboard wagon. Her SELLER (CLYDE) starts his pitch on the TWELVE or
so BUYERS that watch this puny make shift auction.

BROOMHILDA
looks down into the crowd of twelve ugly white men, and holds her
breath which one will buy her.
Among the ugly white men we see Mr.HARMONY (MIKE), not quite as ugly as
the rest. An older well dressed, classy gentleman. Next to him is his
twenty four year old overweight awkward son SCOTTY HARMONY.








Scotty in the audience, and Broomhilda on the wagon, THEIR EYES MEET,
he nudges his dad.
The Seller makes her expose her breasts to the small crowd. Then her
back, revealing her whip marks. Then pointing out the runaway "r"
branded in her cheek.
Some of the crowd, including Scotty, react with repulsion at the sight
of the whip marks. The Seller assures the crowd, that niggers don't
feel pain like white folks, and it only makes the women more gentle.

SELLER - CLYDE
Fellahs, you ain't felt gentle, till you felt
nigger gal gentle.

UGLY MAN
makes a bid.

BROOMHILDA
yikes.

UGLIER MAN
higher bid.

BROOMHILDA
reacts.

UGLIER BY FAR GUY
makes leap frog big bid.

BROOMHILDA
reacts.

BIG GREASY FAT GUY
makes a bid.

BIG FAT GREASY BEAVER PELT COVERED TRAPPER
makes a bid.

A GIGGLING LEERING GROUP OF BROTHERS
make a bid.

A SEVENTY FIVE YEAR OLD INDIAN ON A MULE
makes a bid.
Mr.Harmony makes a bid for his son Scotty.
Broomhilda notices that. And makes more eye contact with Scotty.
They look at each other as Mr.Harmony continues to bid.
A LITERARY NARRATOR comes on the soundtrack.









NARRATOR (VO)
On that day, eight months ago, the auction
was won by Mike Harmony, as a birthday present
for his fat boy son Scotty.
Mr.Harmony congratulates his son.
From on top of the buckboard Broomhilda looks down at her new owners.
Later they leave for the Harmony house. Scotty lifts Broomhilda up into
the back of the buckboard. He hands her a little white bag.

SCOTTY
This is for you.
She opens the bag,candies of many colors sit in it.

SCOTTY
They're jelly beans. Try one.
She selects a yellow one and puts it in her mouth.

SCOTTY
Good huh?
She nods her head, yes.
We see him drive the buckboard out of Greenville with Broomhilda in the
back eating her bag of jelly beans.

$XT - COUNTRY ROAD - DAY
The buckboard makes its way down a country road. Broomhilda in the
back, and Scotty driving the wagon.
Scotty bought her, but he's too scared to talk to her.
Broomhilda's muddy bare feet dangle off the wagon. She's beginning to
realize the young master is the shy type.

BROOMHILDA
Master Scotty... ?

SCOTTY
Yes Broomhilda?

BROOMHILDA
I'm lonely back here. Can I come on up with
you on that seat so we can talk?

SCOTTY
Please, I'd love that.
She climbs into the driver's seat. In more ways then one.









'8

EXT - THE HARMONY HOUSE - DAY
A nice two story southern house. Very nice, but hardly a plantation.
The household's FOUR DOMESTIC SLAVES. Broomhilda will be the fifth. The
buckboard pulls up to the front of the house.
Scotty's mother, Mrs.HARMONY (MARY LOUISE), waits to meet her son, and
his new bought nigger gal.
The older lady looks the black girl up and down and says to her;
Mrs.HARMONY
What's your name, gal?

BROOMHILDA
Broomhilda.
Mrs.HARMONY
Follow me. into the kitchen,
('to her son)
You stay out here.

INT - KITCHEN - DAY
Mrs.Harmony brings Broomhilda in her kitchen. The TWO DOMESTIC SLAVES
that were in, there are chased out by the boss lady. Mrs.Harmony grabs
Broomhilda by the wrist, and tells her;
Mrs.HARMONY
I want to have a word with you, wench. You met
my boy Scotty. You can tell ain't no white
girl gonna fool with him. And if they do fool
with him, they fool with him for the wrong
reason. Boy's twenty four, he still ain't a
man yet. That's why you're here. Be nice to him.
He's a very sweet boy. Play him right, he'll
eat bird seed out of your palm. Play 'em
wrong, you'll deal with me.

BROOMHILDA
I like Scotty. He's just shy is all. All he
needs is a little confidence.
Mrs.HARMONY
And you'll give that to him?

BROOMHILDA
I'll do my best, mam. Scotty's a real sweet boy.
Mrs.HARMONY
He is, isn't he?

BROOMHILDA
Ah-huh.
The mother lets go of the young lady's wrist.









19

NARRATOR (VO)
Basically The Harmony's bought a slave
bride for young master Scotty that day.
And the two kids had a nice time playing
house for awhile.
We see Scotty and Broomhilda catching butterflies in butterfly nets in
the daytime..
At night they catch LIGHTNING BUGS together.
At night in Scotty's bed, while the young man lay fast asleep,
Broomhilda looks at her jelly jar of GLOWING LIGHTNING BUGS.

NARRATOR (VO)
As Scotty's sort of defacto sweetheart, if
no visitors were about, Broomhilda would
even join the family at their dinner table.
We see them at dinner eating fried chicken and mashed potatoes and
gravy.

NARRATOR.(VO)
And pretty soon she was adopted into a
member of the family.
Mrs.Harmony and Broomhilda sewing together.
The Harmony family and Broomhilda playing croquet in the front yard.
After dinner, Mrs.Harmony entertaining the family by playing the piano.
Mr.Harmony reading the women and his son a story from a storybook.

NARRATOR (VO)
Scotty was never happier.
Scotty and Broomhilda walking holding hands at Southern magic hour.
Broomhilda having sex with Scotty, baby talking with him, talking him
through it, making him feel loved and secure.

NARRATOR (VO)
After three months of this bliss,
Scotty decided to take Broomhilda for
a romantic weekend in Greenville.

SCOTTY AND BROOMHILDA
drive through the Main Street of Greenville, dressed to the nines, in a
fancy carriage. Broomhilda dressed in a beautiful white lace dress,
complete with white lace gloves, fancy ladies hat, and white parasol.
Scotty, very proud of his pretty Pony, is dressed in a fashion best
described as plantation pimp daddy.









6O

NARRATOR (VO)
White masters would take their pretty
Ponys to Greenville for a treat or romantic
excursion, for two reasons-One, seeing
how bad the other slaves had it, always made
the papered Ponys appreciate their privilege
position, (just in case they'd forgot).

BROOMHILDA
holding her parasol, looking like a black Daisy Miller, watches the
OTHER SLAVES march by in the mud. They watch her too.

INT - HOTEL LOBBY - NIGHT
Broomhilda and Scotty, and their luggage, move into the fancy hotel
lobby, and rent a room at the front desk.

INSERT: HOTEL REGISTRY
Scotty signs his name. The DESK CLERKS HAND checks the box on the
registry book that indicates darkee female companion.

INT -. GREENVILLE - NIGHT
Greenville at night is a little different. At night, RICH WHITE MASTERS
showing off their Ponys (like Scotty), rule the streets.

NARRATOR (VO)
And two, there was a sliver of society that
ran through Greenville at night that catered
to white masters who were infected with a
condition that was normally referred to as,
"Nigger love." At night the streets, the bars,
bistros, and buggy rides were ruled by rich
white masters showing off their pretty Pony's.

EXT - CLEOPATRA CLUB - NIGHT
An establishing shot.of the three story house that has been converted into
private club called, The Cleopatra Club.

NARRATOR (VO)
But the crown jewel of all this interracial
frivolity, was the members only, Cleopatra
Club.

INSERT: GOLD PLAQUE
with the name, THE CLEOPATRA CLUB on it, next to it is a profile of
Nefertiti.









6!

INT - THE CLEOPATRA CLUB - RESTAURANT - NIGHT
The interracial joint is jumping (as long as by interracial you mean
white men and black women).
Scotty and Broomhilda are enjoying a fancy dinner in the clubs dining
room.
We see across the dining room, the powerful white man, CALVIN CANDIE,
sitting with some White Men and some Black Ponys, eyeing Broomhilda.

SCOTTY
I gotta tell you Broomhilda -
I don't care if I go to. hell for this -
I love you. And if loving you means I go to
hell ... . Well then hello Mr.Devil.
That was actually kind of funny. Broomhilda was right, all he needed
was a little confidence. She puts her hand on his.

NARRATOR (VO)
Then... speak of the devil and the devil
appears.

CALVIN CANDIE
appears at their table.

CALVIN CANDIE
Hello, my name is Calvin Candie, I own
The Cleopatra Club. And I would just like
to welcome an attractive couple'like
yourselves to my favorite place on earth.
Scotty stands up and shakes hands with Calvin.

SCOTTY
Thank you so much, it's a great honor.
We love it here.
Pointing at a empty chair.

CALVIN CANDIE
May I join you?-

SCOTTY
Please, by all means.
Calvin sits down.
Broomhilda gets a sinister chill from this smiling jack.
Scotty, as per usual, is clueless.

CALVIN CANDIE
How long have you been a member?









SCOTTY
We just joined this weekend.

CALVIN CANDIE
Well our little private oasis appreciates
your patronage. Some may consider the dues
excessive, but they're necessary for us to
create this haven for the alternative
lifestyle we've all become accustomed to.

SCOTTY
Well said, and money well spent.
He squeezes Broomhilda's hand.
Candie sees this.

CALVIN CANDIE
It would be.my pleasure, your first
weekend at the club, to join me and my
friends at my table.
Broomhilda knows this is a man to be avoided.
But Scotty is swept away being courted by somebody like Calvin Candie.
She tries to imply they should stay where they are. He brushes her off
with a, "Don't be silly."
We see Calvin introduce his table of friends to the couple, and they
join the party.
Calvin Candie has his arm around a foxy Pony named SHEBA, whose dress
is a little more revealing then the others.
They drink and talk, and the White Men have a forced good time. But
Calvin Candie can't hide his sinister side from Broomhilda, and it
keeps her uncomfortable, until she excuses herself from the table to go
to bed. Scotty's having such a good time with his fancy friends he opts
to stay behind.'Broomhilda leaves in a bit of a huff, due to Scotty's
disobedience. If these fancy.fucking white men weren't around making
Scotty feel so puffy chested, he'd never dismiss her that way.
We FOLLOW Broomhilda out of the club, across the street, to the hotel.

NARRATOR (VO)
After excusing herself, she walked across
the street to her hotel room. She got
her white dress dirty in the mud, but she
didn't care, the night was ruined anyway.
Some romantic weekend. Wait till she gets
home and tells his mother how he ignored her.
She'll fix his fat ass. Wait till he asks her
to scratch his back next time. She's gonna
scrape every pimple.









'3

�-. BACK AT THE CLEO CLUB
The now drunk Scotty is playing poker with Calvin and his friends.

NARRATOR (VO)
Back at The Cleopatra Club, as the night
wore on, Calvin Candie suggested'a friendly
card game. As the game wore on, it came down
to a two thousand dollar pot between
Calvin Candie and Scotty Harmony. Luckily
for him, Scotty was holding.a inside straight.
Calvin holds his cards with Sheba draped around him. She whispers
something in his ear.

CANDIE

(TO SHEBA)
Really?

(TO SCOTTY)
You know what Sheba just tole me?
Scotty, thinking about his great hand, says;

SCOTTY
What?

CANDIE
She says she thinks you're cute.

SCOTTY
Really? Thank you Sheba, I think you're
beautiful.
Sheba whispers something else in Candie's ear.

CANDIE
Sheba says she'd like to give you a little
lip. Want some lip?
Scotty, is a little surprised.

SCOTTY
Well, she's your Pony...I mean...

CANDIE
Oh hush, what's a little nigger lip 'tween
friends. Go on honey, give 'em some sugar.
Sheba walks over to Scotty's side of the table, and gives him a very lip
intensive'soul kiss. The table enjoys the show. Then Sheba goes back to
Calvin's side of the table.
The game continues.









G

CANDIE
Okay loverboy, I think you're trying to out
brazen me in my own club, and I won't have
it. If you're really holding cards, time to
pony up. I raise you five hundred.
Candie throws in his chips.

SCOTTY.
I see your five hundred...
(throws in chips)
.and raise you four hundred more.
(tosses his last chips)
Call.
This is where Calvin Candie has waited to be all night.

CALVIN CANDIE
Not so fast, boy.

(BEAT)
Pot ain't fat enough yet.

SCOTTY
I'm all in.

CALVIN CANDIE
Ain't that too bad.
Scotty doesn't intend to let this smiling Jack cheat him out of his
pot, especially with him holding an inside straight.

SCOTTY
I would think a southern gentleman of
such renown as yourself, wouldn't have
to resort to buying a pot in his own club.
Calvin writes on a piece of paper, then throwsit'in the pot.

CALVIN CANDIE
One final raise.
Scotty takes the piece of paper, "What's this?"

CALVIN CANDIE
It's Sheba's bill of sale.

SCOTTY
What? I don't want her.
Calvin.and the whole table laugh at that.

CALVIN CANDIE
You sure didn't look like you didn't want her.
More laughter.









CALVIN CANDIE
In Greenville slaves are currency. And
Sheba's worth about eight hundred dollars.
I'm throwing Sheba in the pot. Match or
fold?

SCOTTY
I'm all out of money.

CALVIN CANDIE
But we ain't playin' for money no more..
We matchin' nigger gals. And a nigger gal
you got.

SCOTTY
I can't bet Broomhilda.

CALVIN CANDIE
In Chickasaw County, she's money. Pony her up
or fold. Somebody get him a piece of paper
and a pencil.
Somebody does.

CALVIN CANDIE
Write out a bill of sale, or fold them cards.
Scotty makes a pressured decision.
He hurriedly takes the pencil and writes out a Bill of Sale for
Broomhilda.

SCOTTY
Let me see your cards!
Candie lays down his cards, he has a FLUSH.
What Scotty's just done hits him like a ton of bricks.

SCOTTY
You cheated me.
After Scotty uses the "C" word, everybody quiets down.

CALVIN CANDIE
What did you just call me?

SCOTTY
I called you a card cheatin' son of a bitch,
cause that's what you are!
Calvin calmly stands up from the table. He removes a small Derringer
Gun.from his pocket, and tosses it on the table in front of Scotty.
Then takes out another one, and tosses it on the table in front
himself .









66
Everybody in The Cleo Club quiets down.

CALVIN CANDIE
Scott Harmony. For calling me a card cheat
in my own club, as a southern gentleman,
I challenge you to a duel.
(to the Piano

PLAYER)
Piano player, will you hit three separate
notes?

(TO SCOTTY)
On the third note, pick up the gun and
try to kill me.
(to Piano player)
Piano player please ...
This is all going too fast for slow Scotty.

SCOTTY
Wait a minute ...no!

FIRST NOTE ...

SCOTTY
I ain't dueling with you! I don't want
to duel!

CALVIN CANDIE
Then get out of here, get in your buggy
and get out of town.

SCOTTY
Sure. Let me just get my girl.

CALVIN CANDIE
You lost that girl, fat boy.

SECOND NOTE...

SCOTTY
Wait!... . Look ... . Mr.Candie, I'm sorry I
called you a cheat. But... please...I can't
give you Broomhilda.

CALVIN CANDIE
Last chance fat boy, go home and get'useta
to fuckin' another one.

(BEAT)
Or pick up that gun.
Scotty can't leave. He can't go home without her. He can't face his
parents. He can't walk out on her. No matters what happens he can't
leave.









6 7

THIRD NOTE...
Calvin Candie SHOOTS Scotty Harmony dead.

INT - HOTEL LOBBY - NIGHT
Calvin Candie and his entourage enter the hotel lobby and go up to the

FRONT DESK CLERK..

CALVIN CANDLE
Hello Oliver.

FRONT DESK CLERK (OLIVER)
Hello Mr.Candie, good evening.

CALVIN CANDLE
Good evening to you as well,. young Oliver.
Could you please inform me which room
your guest Scott Harmony is staying in?

INT - HOTEL ROOM - NIGHT
Broomhilda is asleep in bed...

WHEN ...
.Calvin comes'BURSTING in the room holding his belt in his hand. He
YANKS OFF the sheets that Broomhilda sleeps under. Broomhilda lies
naked under the covers. Candie brings the belt down around her legs and
backside.
She hops out of bed.

INT - HOTEL LOBBY - NIGHT
Candie CHASES her naked body with his belt, from the top of the stairs,
down the stairs, and through the lobby, and out the front door.
All to the amusement of the WHITE HOTEL GUESTS.

EXT - GREENVILLE HOTEL - NIGHT
She RUNS out of the hotel naked, and then TRIPS FALLING INTO THE
GREENVILLE MUD. She looks up from the mud, at Calvin Candie looking
down at her.

CALVIN CANDIE
Welcome to Candyland.
We do a SLOW ZOOM into Broomhilda's face.









NARRATOR (VO)
That was four months ago.

CUT TO

INT - GREENVILLE SLAVE AUCTION - DAY
Back inside the three story Auction Block domed room.
The same room Django was sold in at the beginning.
Tons of WHITE BUYERS and SELLERS and BLACK SLAVES to be bought or sold
fill the big hall.

ONE MANDINGO SLAVE (BANJO)
stands half naked on the auction block.
The SELLER' (SHELBY)
gives the crowd,a sales pitch about Banjo, and starts the bidding.
Many different UGLY WHITE MEN make bids on the big mandingo, including
Calvin Candie.
Dr.SCHULTZ and DJANGO from a pair of OPERA GLASSES
/-. watch Calvin Candie from up above on the 2nd floor landing.
FROM Dr.SCHULTZ'S PERSPECTIVE
We see Calvin Candie, and his black slave.bodyguard, BARTHOLOMEW,
always dressed in a slightly ill fitting three piece suit and bowler
hat, among the crowd of buyers at the auction block below.
Candie's lawyer LEONIDE MOGUY joins him.
Dr.SCHULTZ
His name is Calvin Candle, and he is the
owner of Candyland.

DJANGO
Candyland? The mandingo fightin' place?
Dr.SCHULTZ
Oh, so you heard of it?

DJANGO
Ain't no slave ain't heard of Candyland.
Dr.SCHULTZ
Well apparently, that's where your wife is,
and apparently the repellent gentleman down
there is the one who owns her.

��` TIME CUT









6R
The White Man and Black Man find a cubby hole to talk in the auction
hall.
Dr.SCHULTZ
How much do you know about mandingo fighting?

DJANGO
Not so much... A little... Master Carrucan had
a couple niggers he'd fight.
Dr.SCHULTZ
Can you play a mandingo expert?

DJANGO
What?
Dr.SCHULTZ
Can you convincingly masquerade as someone
who is an expert on mandingo fighters?

DJANGO€¢
Why?
Dr.SCHULTZ
Because when a man has one of the four
biggest cotton plantations in Dixie, but
the only thing that seems to ring his chimes
is big sweaty black males, if WE want to get
his attention, we better be talking about
big sweaty black males. So my character is
that of a big money buyer from Dusseldorf, here
in Greenville to buy my way into the mandingo
fight game. And your character is the mandingo
expert I hired to help me do it.

DJANGO
They call that "One-Eyed Charly."
Dr.SCHULTZ.
One-Eyed Charly?

DJANGO
That's what you call it when you buy a slave
expert. If you wanna raise horses, but don't
know nothin' 'about horses, you buy yourself
a One-Eyed Charly who knows about horses.
He teaches ya. You wanna plant tobacco but
don't know nothin' about it, you buy yourself
a One-Eyed Charly knows about tobacco.
Dr'. SCHULTZ
Why do they call it One-Eyed Charly?









70

DJANGO
You know, back on the plantation, my. job
wasn't historian.
Dr.SCHULTZ
Testy. It's an unusual name. That's a perfectly
legitimate question. So, can you convincingly
play my mandingo One-Eyed Charly? Don't say,
yes, if you can't.

DJANGO
You want me to play a black slaver? There
ain't nothin lower then a black slaver. Black
slavers are lower then head house niggers, and
buddy, that's pretty fuckin low.
Dr.SCHULTZ
Then play him that way! Give me your black slaver.
Django gets that.
Dr.SCHULTZ
Can you do that?

DJANGO
That, I can do. What's next?
Dr.SCHULTZ
To get ourselves personally invited to
Candyland by Calvin Candie himself.

CUT TO

EXT - THE CLEOPATRA CLUB - NIGHT
Dr.SCHULTZ and DJANGO stand across the street from The Cleopatra Club.
Which looks like aregular nice three story house, among other.nice
houses on an affluent residential block in Greenville Mississippi.
They open the tiny garden gate in front of the house, walk up the stoop
steps to the front door. They ring the doorbell.
A pretty young black girl, dressed in a FRENCH MAID outfit opens the
door.

FRENCH MAID

(SOUTHERN ACCENT)
Bonjour.
Dr.SCHULTZ