All these vibrations, you know, are like the strings on a harp
And the harps thatâ
theâ
angels are supposedâ
to play in heaven are reallyâ
this huge â possibility
(Possibility)
See, when you play the harp you select strings
You donât play all the strings; itâs stupid to just run your finger along the whole edge of the harp back and forth, back and forth, and go âblrrbllrrblllbrrbllrrblllbrrâ
What you do is, you pick out with your fingersâselect, just like on the pianoâyou donât go âbrrrrrrmmmpââ you pick out certain notes, and these make the patterns
But at the same time as you pick out
You reject what you donât pick out
But itâs all there, constituting a fundamental continuity
The kind of continuity of the thread as they go up to the back of the woven material, and make up the obverse of the pattern thatâs on the front
Now, the question that is absolutely basic for all human beings is, âWhat have you left out?â
[Pre-Chorus]
What have you left out?
(Who are you really?)
(Who are you?)
(Who are you really?)
What have you left out?
(Who are you really?)
Really?
You are focused on certain things that constitute what you call âeveryday reality.â
Look: you single out people, and you see them sitting, sitting, sitting, all around
(sitting, sitting, sitting, all around)
And you know they are things that are really there
And then, behind the people, are the houses, or whatever we live in, the Earth, and behind all that the sky, and so on
But we see the world as a collection of rather disjointed events and things
And I might say to you, as you came in here today, âNow, my goodness! You all forgot something. What did you forget?â
And you think, âMy goodness, did I put my pants on? Did I wear a sweater? Did Iâgot my glasses, and my hair on, or my wig, or whatever?â
No, no, itâs none of that
But thereâs something youâve forgotten, you see?
Everybody has forgotten something
You left it out; just missed it
See, see?
And so I can bring this out, what youâve forgotten, if I ask you, âWho are you?â
Well, you say, âIâm Paul Jones,â or whatever your name happens to be
I say, âOh, no, no, no, no, donât give me that stuff. Who are you really?â
[Chorus]
Who are you?
(Who are you really?)
Who are you?
(Who are you really?)
Who are you?
(Who are you really?)
Who are you REALLY?
(Who are you really?)
And you think, âWell, of course Iâm justâIâm just me.â
âNo! Donât give me that! I donât want to hear all that nonsense. Youâre playing a trick on me. Really, deep down, who are you?â
âI donât know!â
Well, thatâs the thing to find out
Thatâs the thing thatâs been forgotten, see?
Thatâs the underside of the tapestry
The thing thatâs been left out
Because what we are carefully taught to ignore is that every one of us, fundamentally; deep, deep inside is an act of, a function of, a performance of, a manifestation of â the works
The whole blinkinâ cosmos with all its galaxies, and forever, and ever, and ever, whatever it is beyond that
What you might call God in the Western tradition, or Brahman in Hindu philosophy, or Tao in Chinese
Every one of us is really that, but we are â pretending we arenât
And weâre pretending with tremendous skill and deception
[Chorus]
Who are you?
(Who are you really?)
Who are you?
(Who are you really?)
Who are you?
(Who are you really?)
Who are you REALLY?
(Who are you really?)